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That changed in 2000 with the launch of the single-cutaway, Les Paul-inspired Singlecut.

Famous legal action with you-know-who followed…Read our full PRS Singlecut review The Santana SE introduced the ‘Student Edition’ line, which debuted in 2001.

The Classic Electric was not only PRS’s first bolt-on but a nod in the direction of a more ‘Fender’ toned guitar with an alder body and maple neck.

He earned four credits for the instrument and his college deemed it was “of professional quality”.

A year later, Paul Reed Smith completed a custom guitar for Peter Frampton; it was the first to feature what The Evening Capitol newspaper called “wildlife figures” running down the fingerboard. Smith literally banged on backstage doors to show off his instruments: he managed to show the Frampton guitar to Carlos Santana after Al Di Meola had seen it and had ordered his own, a 12-string.

The stripped ‘graphic’ finish Metal was short-lived. It had also established a quality-led reputation and a price to match.

When a friend remarked, “you don’t charge enough,” Smith went upmarket further with the then ultimate-quality Signature, produced from 1987-91. along with the ‘doctors and dentists’ put-down, referring to the only people that could afford them.

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